This is what went into the kiln, to be fired to stoneware -
and this is what came out - the largest dimension might be 16cm -Some of my favourites - the tin glaze makes a nice caramel edge -
This slab was rolled out on a textured cloth, dark glaze (tenmoku I think) brushed on and sponged off, then applied to the textured side, and the slab rolled up a bit -
More dabbing on of glaze and sponging off - with transparent glaze on top of it all -
Pinch pots with different clays inside and out, the one on the left painted inside with tin glaze; the one on the right had the bottom dipped and some glaze dribbled -
I was aiming to make textures on slabs and by chance discovered that you could print with the wet clay, if only onto the bench -
So, why not paint the slab with slip, and print with that -- and then roll it out a bit more to distort it slightly -
This biscuit-fired bowl got slip painted on and then sponged off -
Another aim was to make some holes -
Here's what's going for biscuit firing - plain and using black slip -
The glossy snakey bits got discarded. The pinch pots have velvet black glaze and are going into the stoneware kiln.
Have you considered a ceramic book? Lots of thin pages, glazed and decorated and things buried....wow, what fun that would be!!
ReplyDeleteI just LOVE your ceramics, Margaret. Right out of the kiln and they look anthropological! Great textures, great glazes. I want them all!
ReplyDeleteHello Margaret!! I read your post on the SAQA list and it was perfect syncronicity. My husband and I are starting (as students) a 6 week handbuilding clay class tomorrow! I'm done it before, but it was quite a few years ago so I'm TOTALLY inspired by what you're doing! thanks sooo much,
ReplyDeleteAnd now I'll take photos before and after too.