My over-writing project arose from journalling in two ways - from the crossing-out of old journals, and from the delight in making textures with handwriting, initially writing down my secret (and very boring) thoughts . Now my focus is on copying out plangent* texts - with a view to suiting the medium to them. I'm still at the stage of trying to define and refine my intention - and if I continue, I'll have to "explain" how this fits into my "everyday journeys" project.
*plangent (it felt like the right word but I had to look it up) = loud and resonating, often melancholy.
Another strand to this project is to be aware of subtle things and " meaningful accidents". For instance, using a fine pen that was running out of ink needed really hard pressure, and the paper underneath ended up covered with impressions - and the sheet of paper under that one still showed some marks - so before covering it with graphite, I used the defective pen to write another text, which bit deep into the paper. After 9B graphite was added and polished, it became reflective and almost readable -
On the other side, a light coat of graphite on the raised texture of the writing, and denser graphite around the edges to try to pick up the fainter marks of the ghost writing -
It looks like "nothing" - and in a way, it is...
Fascinated by this post. Immense possibilities (I'm wondering about this - can possibilities be immense?) Maybe numerous!
ReplyDeleteThose last two photos look very interesting and exciting to me. Perhaps you've just opened up a new path...
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