At the outset, this crudité -
Then the serious work of dipping -
dipping paper into porcelain slip |
dipping heat-set, pole-wrapped metallic organza |
the dipped fabric curls but keeps its pleats |
By then these laboriously-dipped objects will be out of the kiln -
Note the beads among them! The anticipation is to see what happens - and the challenge is to respond to that on the only other day of this (very) short course. I feel a need to work through this systematically, step by step, rather than striking out blindly with "will this work? what will happen?" and not being able to take it further, either by "making it better" or by doing something different because of previous results. I'll be looking for a weekly class, or place, to be able to develop this, with some time to think in between. But two concentrated days is a booster.
Someone commented that my "foldy-books" were like walls, which isn't something I'd thought of before, but will continue to think about...
that looks like huge fun!
ReplyDeleteOh my! I love your ceramics explorations best of all you do!
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