I wasn't really paying attention to the kids, though some of the planned activities were rather boistrous. There was a seat in front of the display of children's clothes through the ages, among which were these petulant, wary, abashed, well-behaved dolls -
They are Lenci dolls from the 1920s, made of pressed felt, wearing what look to be hand-knit sweaters and socks.
After spending the entire morning drawing them (and trying out the "aquarellable" qualities of the Neopastels on the boy), I feel very well acquainted with them, and find their expression more interesting than the gaze-into-your-eyes, sweetly-smiley rather-sad dolls of today.
My box of Neopastels contained 10 colours, and no brown, which would have been very useful. Some liberties needed to be taken ... I rather like the inaccurate colours, eg yellow faces and purple in the hair (but am not happy with his clothes, and rather overdid the amount of her hair). It was pure pleasure, though, to mess around with the waterbrush - a new experience. A little colour goes a long way with these pastels.At one point I heard a woman saying, "Girls, come over here and watch this lady drawing" - I had to bite my tongue to keep from saying, "Madam, I am not an exhibit!" The girls, however, were delightful and we had a nice little talk about the dolls. They came back later with a friend to see how the drawing was getting on.
Karen had come along to draw; at 1pm we escaped from the acoustic and all those kids.
Next Tuesday (Nov 4) - V&A. The glass gallery is usually fairly quiet, but whether any sketching stools can be found remains to be seen.
(This post is part of Off the Wall Friday.)
They have very expressive faces. I think the boy is wondering how he found himself there!
ReplyDeleteLOL - maybe when we are in a museum we are all exhibits of some sort. People watching is sometimes more interesting than what is hanging on the walls.
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