Tate Britain has plenty of sculptural objects, and of course paintings. Drawing from paintings offers different sorts of opportunities, as mags had discovered in a painting course she took recently. She sent along the exercise, should we wish to repeat it.
I tried - but made only a few notes... The painting is by
Ivon Hitchens -
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Autumn Composition: Flowers on a Table, 1932 |
Moving on to a
William Scott, I got caught up in blending the colours with the few chunky stabilo crayons that happened to be in my bag -
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Orange, Black and White Composition, 1953 |
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Mags used the exercise to really look at some paintings |
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Judith made several renditions of the same subject |
Tool of the week - Rembrandt Sanguine oil, by Lyra
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Cows in Turner's landscapes, by Jo |
And some techniques -
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Collage by Najlaa, with demonstration of how to find "interesting areas" for later development
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Jo's foray into monoprinting - what a wonderful range of results
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Mags brought along her "train stitching", adding indigo fabric to an indigo base
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What an interesting exercise this is! And thank you to Mags for sharing her 'train stitching'. I usually have 'television stitching' of a similar ilk that I sit down to in the evening when we are home and my husband wants to watch television. I miss it when I don't have it ... which reminds me, I need to devise another now.
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