The painting course had a session last week of life painting -
Three quick drawings with a twig, and a longer pose with ink |
Coloured ink for a floor pose |
The first idea was to use an embroidery hoop to layer up white fabric, the image, clear plastic, and fabric, and then to copy the image - trace it, with paint - onto the fabric. Fortunately the boxes of brushes yielded one small brush; I also use palette knives -
In progress; the fabric is cream net, almost invisible |
He's done |
Next I used thin silk; the acrylic paint soaks in well -
Oh dear, that beard... |
The first attempts -
Gluing (pva) was done on proper plastic, so that it would peel off easily. And a hair dryer was used to speed up the drying. From bottom left: when covered with glue the paper stretches and buckles. On net, sloppy application of glue leaves shiny bits here and there - but small figures do stick well. Applying glue only to the figure makes for neater net. On linen, figures stick well; glue can be applied before the figure is cut out.
From a bag of green scraps - turf. Looks good on individual pieces, but will it work on the big piece, which will be a metre long? (These figures are less than 20cm high.)
How will the newspaper stand up to the quilting process?
Or would it be better to get back to painting? Experimentation continues...
1 comment:
Have you considered using paper lamination technique (polyester organza over newspaper, acrylic medium applied through screen, paper soaked off after drying ,image transferred to organza )
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