Starting with this idea...
ragged edges in grey with a red centre, I wanted to make it wider (30cmx40cm) and without a fold in the middle, which meant doing an entirely new middle. I played around with zen circles but didn't want to get a complicated as this -So while ideas for the middle were percolating, I cut the edges -
Lots of lovely curly wood shavings! |
This time I remembered to use a thin watercolour wash ... did it make the shavings curlier?
Taking a few tracings seems to have got the ideas flowing, and I came up with this -
The overlapping item needs two blocks -
This birch ply (some of Tom's offcuts) isn't wonderful wood, in fact it's messy to cut no matter how sharp you try to keep the tools. So I started experimenting with non-standard ways of removing the wood, in an attempt to be more efficient (ie, faster!) at getting the job done. Two possibilities arise: practise and practise (Forschprung durch technique); and, use better wood. Wish list: superb hangito, or failing that, this one from Intaglio).
A change of activity - the edge block soaked overnight, and the damp pack was made. Paper was cut and set to get damp -
First effort - too green, and darned if the red watercolour on the wood didn't lift off a little -
Inking up, phew - I tried various unorthodox things with my unorthodox woodblock -
Too much watercolour "ink"? |
Better! (this is the big-gouge pattern) |
Uh-oh, the dreaded blob... |
Some improvement (this is the little-gouge pattern) |
Time to pack up for the day |
Prints du jour -
Three types of paper were used - ordinary Chinese roll, part of a Chinese paper for scrolls, and "grass paper" - I've had the papers for a long time and they probably all came from Guanghwa Bookshop.Much more experimentation and better technique is needed. At lower left, overprinting -
I think it's making progress, though -
Before ... and during ... |
It is hard work to play! LOL!!!
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