My small pencil case contained a gold pencil crayon, and I found something golden to draw - Prince Frederick's barge, designed by William Kent in 1731, with carvings by John Marshall. The dolphins look rather like dragons of the sea -
I was intrigued by the pattern of the scales, both in terms of placement and tone (illicit touching had rubbed off some of the gilding) -
The illustration in the display got the scales -
... but I struggled -
Once I'd warmed up with the Golden Porpoise, the front-on drawing took moments and to my eye at least looks more lively.
Jo was on the other side of the barge, drawing the porpoise there -
Janet B stopped by, on early departure, with Percy the Penguin -
Mags had been drawing Captain Scott's Antarctic shoes, first in pencil -
then, concentrating more on the lines, in felt pen -
Carol was among the figureheads, with those from HMS Ajax and HMS Bulldog -
Sue got involved in the detailed carving of a prow of a model of a Maori war canoe -
while Janet K found a model of a Solomon Islands topuke outrigger canoe with crab-claw sail -
Technique of the week
Jo had been to a class in which the tutor explained about holding a pencil - not as if you were going to write, but thus -
This leads to a very different kind of line, sweeping and curved and tonal. (Try it!)
Carol felted a pumpkin for her grandson -
Sue recorded the emphemeral colour of "fiery leaves", which disappeared when the leaves curled up quickly -
Mags had been to a Contemporary Quilt workshop led by Helen Parrott, which resulted in a new piece of train stitching, "100 or thereabouts horse chestnuts" -
... and also to a workshop with Matthew Harris, which involved painting cardboard and stitching cloth to it (as you do...) -
Those shoes don't look like they would have been very warm!
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