Close up --
It's going to need something to knock back some of that silveryness.
And who would have thought that the moon was so colourful? It's all thanks to Photoshop -- the how-to directions are here.
But for a purely artistic take on the moon, check out Bob Adams' quilts, like this detail:
Back to the drawing board...
I'm working on a horizontal surface and it will be displayed vertically. So here's a pic looking straight down --
It seems to be very shiny! Seriously un-subtle. Perhaps a chiffon overlay will tone it down (not the peachy one after all) --
-- or maybe now. Investigations and experiments continue; starting over is a distinct possibility.
My favourite -- Rachel Merrington etches parts of old maps, overlaying the human environment onto the physical. The work is mounted in a deep frame, so shadows give another dimension. This piece is called Brancaster.
And Qassim Alsaedy's "Poet's Gardens" - coloured pencils!
A prezzie from Barbara -- postcards of the 1995 SAQA exhibition selected by Yoshiko Wada. (1995 -- was that in the days before the internet?) B. kindly says "I got half way through the packet and suddenly realized one could be yours!" -- which one, though? -- peeking out in the photo are some favourites, works by Patricia Kennedy-Zafred, Cheryl Springfels, Joan Schulze, Kiki Olsson, and Lois Morrison.
This is what I've been up to for the past month, along with the day job and "ordinary life" - producing this 40-page journal in its new format (right). Of course there's always something else that could be improved, but at some point it has to go off to the printer. The production cycle starts again in mid-March.
and the sme bit (I think?) in 2000 --
The British Library has an exhibition of London in maps -- I trotted over one lunchtime (it's just round the corner from where I work) and didn't get into the exhibition itself, because the two big maps at the entrance were so fascinating.
and many cafes showing what's for lunch -
Amazing confections --
complemented by a liberal sprinkling of bling -
Work goes on: snipping -
and stitching -
Layers of life -
But what I went for was the big bakery --
and brought back brown bread and an apple pastry -
Chunghie Lee's "No Name Women '04" --
Pauline Burbidge's "Feather Collection" --
My favourite in the book, Katriina Flensburg's "Winter Half of the Year" (1993):
Helen Parrott's "Rivers VII" (1995) --
Dianne Firth's "Cosmos" 2003 (she is a landscape artist by profession) --
Surprise choice: an Australian quilt from about 1930, by Mary Hannaford (rather "gee's bend"!)
And this one by Lucy Boston (whose Green Knowe books I love) - made in 1974, when she was 82, by piecing over papers --
In times of creative drought there are worse things to do than busily gathering all the scraps, make yardage -- towards something like this --
It's the act of Doing Something that gets those creative juices flowing again.
Today's (hasty) drawing-a-day. Judith and others on the cqgb list inspired me to colour some sketchbook pages, and to get out my neocolour aquarelles -- but I forgot that fountain pen ink is affected by water, much more than the colours!
and Canary Wharf (new commercial centre) -- with the Surrey hills beyond.
The first television transmission was from here in 1936.
My family got a television in 1962, and I got a colour tv in the very late 1980s (still have it; it still works).