Some images from the degree show at Central St Martins. Such a lovely old building, bits of it anyway - but the college is moving to a new site, and the building will become - what, offices? flats?











Well, it helped me cut up and throw out a few more magazines....
A little box full of index cards, on which I'd drawn - must be nearly 10 years ago! - some of my favourite objects. Alas, the little broom from Greece got used by "someone" to sweep up some drying cement or plaster, and had to be thrown out. It's only "a thing", but I did like its handmade quality and humbleness.
Her early work is being reconsidered in this book -
Among the early works is a "shocking array of violent imagery ... guns, riots, bullet-ridden cars, bombs exploding, warplanes patrolling or being blasted out of the sky, houses and people on fire."
Celmins says: "Basically I decided that I had to connect with myself ...I was trying lots of different things, different kinds of painting - I began to plumb myself. You know how you have to be behind what you're doing. I began to find things ... things that were really somehow a part of me ... there's a time when you are in your twenties and maybe in your early thirties when the whole idea of making something is so much of a fire in you."


Read more about this work here.


[Hmm, haven't done that yet... Could this be the next mission?]
The web has many more images of her work, including this one from a Canadian art website 
While you have the materials in your hands, you start to do unexpected things. The little book at bottom left has had each page folded before stitching together, which makes interesting shadows. The tracing wheel was used on the tracing paper - instant, tactile "journey lines" - travellers' braille?