25 February 2011

20th century drawings

At the British Museum until 25 April. A free show with good labelling and famous names, as well as some not so well known. As you can see I was drawn to Georg Grosz's "fat banker", and needed an aide-memoire for Magritte's "Leaf" - a tree/brick wall conflation, with a ball to the left and a curtain (minus window) to the right. Hmm.
Other memorable drawings by Picasso, Magritte, Beckmann, etc, as well as Kazuo Nakamura, , William Anastasi, Laurence Weiner, Edda Renouf (so subtle and beautiful), Judy Pfaff, Franz Ackermann, Olav Christopher Jenssen ...

David Milne's "Dreamland Tower" -
Kurt Sonderborg - the one in the BM is similarly "musical" -
William Anastasi (who would draw in the New York subway with both hands at once) -
Mosche Kupfermann would draw on both sides of the paper, and fold the paper so that marks were transferred -
That's enough for now - I'll be going back for a second look.

Tree drawing

"Larch drawing" by Tim Knowles. See more tree drawings on his website.
"Like signatures each drawing reveals the different qualities and characteristics of each tree."
(Other artists associated with "drawing machines" are William Anastasi, Anna Barham, Emanuele Becheri, Alighiero Boetti, Ane Mette Hol, Albin Karlsson, Nick Laessing, Sol LeWitt, Giovanni Morbin, Marc Nagtzaam, Goran Petercol, Diogo Pimentão, Steve Roden, Jean Tinguely.)

Night walking

Tim Knowles again - carrying three powerful torches, and a battery in a backpack, he walked away from the camera, over a treacherous ridge, for an hour. "The image invokes Plato’s allegory of the cave, appearing like a pathway of ghostly travellers shining inside an electrified landscape."

Getting around London

Grey is good ... coloured is - closed down for the weekend. Fortunately there are lots of buses!

24 February 2011

What's going on here, then?

Found (two designers)


More discoveries among the heaps of paper, on a day when I suddenly couldn't stand having that untidy heap on the corner of the desk. Here on the blog is a good place to put all this miscellanea. On the blog for the information - into recycling for the bits of paper.
Zoe Miller (not to be confused with the graphic designer of the same name in Melbourne) develops structural fabrics and products. Jess Edwards exhibited at Designer Crafts this year; I like the "lines" she's showing on her blog.

(Still about 200 bits of paper to go through...)

Trying to get a bit organised

With bits of my "old life" dropping away (this is deliberate!), it's feeling more spacious inside my head and I'm finding ways to be organised not just physically in terms of clear spaces and "things in their place" but also in terms of setting up routines that will make sure the important things don't get left till the last minute - or overlooked entirely.
Earlier this week, this little table (behind my computer chair) was piled high with heaps of paper to sort out - they had been moved there from the corner of the desk. At least they were out of sight. Now they've been sorted through and most have been binned - they are out of mind (so much nicer to see enticing books lying there...) And it's been good for the desk -
On the corner of the desk lives the notebook in which I keep a long List Of Everything. If it's written down, it won't be forgotten ... if it's all written down in one place, it won't get lost! Also in the notebook are daily lists of Three Things To Do Today - usually these are important or time-sensitive things - sometimes this list is five or six items long, and that's ok too; as long as three things get done, we're making progress.

Does the word "routines" (or "systems") make you groan? Often these are seen as bad things, suppressive and repressive things ... and whether these work for you is a matter of how you look at it (just like ... is the glass half empty or half full). When things get done automatically, unconsciously, they become habits - good habits I hope - and life gets easier. Every little helps -three things a day, whatever ...

What got me started thinking about all this is the need, for my art course, to keep a reflective journal. In the foundation course, I simply printed out my blog, and that worked ok. At the moment I'm encountering a LOT of things that relate to my course, and trying to put them all into the blog is making for a bit of a muddle! Some posts are about keeping a record of the seminars and lectures and other sessions; some are about seeing and remembering exhibitions or the work of artists encountered on the internet or in books; some posts are an account of the development of work I'm doing toward class projects or personal projects; and another facet is the reading I'm doing towards the essay and also the write-up that will be needed for the final project, come Sept 2012.

A little organisation is needed here; my plan is that instead of a mishmash, four separate printouts will act as reflective journals -
-Book arts course (lectures, seminars, etc )
-Artists (those mentioned in Book arts course blog posts could be added)
-Processes (course work or personal work; again this might include extracts from posts about the course)
-Reading/research (this might be merely a picture of the cover of the book, with notes imported from elsewhere on the computer)
Set out like that, it seems straightforward enough - another case of "I know what I think when I hear myself talk"?

I've just about trained myself to write up the week's classes by or on Saturday (it's so easy to get behind!) so it won't be a big step to go through the week's posts and move them to my printable-blog files. The idea is to use Labels when writing, and then use this function to speedily and easily gather the relevant posts into the relevant documents, print the new material 2 pages to the sheet, fold those, and collect them for eventual japanese binding. The tricky part will be consistency about applying Labels so that the indexing/retrieval system works. It makes sense to start with the new stuff, and deal with the backlog as time permits.

It's on my list...


Haiku

(found among my jottings)

Night in the quiet city.
Whisper of awaited rain
and dawn near

Putting that into Google to try to find an image ... and Google asks:

Kinda liked this picture (among the many unsuitable ones), though the rain aspect is missing -

"Shadowcatchers" at V&A

I was able to go again to this fascinating show before it closed. Back in November we went to a talk by Susan Derges and Garry Fabian Miller, which gave insight into their working processes, making photographs without cameras ... exposing sensitised paper to light and producing images that transcend what the camera can do.
Other photographers are Floris Neususs, whose "chair" is the first thing you saw; Pierre Cordier with his chemigrams; and Adam Fuss, whose work deals with time and energy rather than material form.

Maps in art - any issues?

Lots of artists use maps in their art - are there copyright issues involved?

I'd like to print my "journey lines" onto big maps of the Underground, but using actual maps seems to have two main issues:
1. getting hold of the maps
2. copyright - the London Transport Museum website says:
"The Underground map and logo, New Johnston font and the London Transport Museum poster and photograph collections are protected by copyright"

Ah well, back to looking at other artists' use of maps - for instance these six, and this blog about maps, a book I have (somewhere) and an essay by its author, links to the use of maps in the blogosphere, oh so much more....

Finally a picture -
Imperial Quilt by Susan Stockwell. There's more to see on her website...

Hand made

Seen in class - a pencil case made by a friend for her friend.
Charming, isn't it!

Thought of the day

I love travelling through Oval station and seeing the Thought Of The Day. Yesterday it was a bon mot from General George S. Patton (famous for his leadership and outspokenness): "Never tell people how to do things. Tell them what to do and they will surprise you with their ingenuity."

Un-written #2

A journal from 2002/3, now illegible. Best left unread; very, very tedious!

23 February 2011

Three doors

Beford Square (just round the corner from the British Museum) - arguably one of the grandest squares in town.

Two shoes

This show in a magazine advert -
reminded me of this one seen in a shop window in Amsterdam -
Same brand, right? (Left feet.)

Wall treatment

There's nothing quite like gold leaf to bring light into a dark corner - or even a not-so-dark corner. This giant pattern under a high ceiling is at the South London Gallery cafe.

Japanese papers

Katagami - traditional stencilled papers - lovely, even at £7 a sheet. Seen at Falkiners.

22 February 2011

Selfridges windows

"Bright Young Things" is on display till the end of the month at Selfridges on Oxford Street. I happened to be passing ...

Giant wasps by Rhea Thierstein -
This tableau is so reminiscent of Clea Wallis's magical "Into the Wild" performance we saw in Scotland last year -

On a more everyday level, the beauty of ropes -

Book du jour

"Here Comes the Bride" -
A certain frou-frou, meringuey quality ... a blow-in-the-wind, happy-day feeling ...
"She" emerged as I smoothed out the ample amounts of tissue paper that came in the boxes with my new shoes.

Ah - shoes -
They add a je ne sais quoi, n'est-ce pas? a bride with attitude....