Would the painting have made such an impression if I hadn't seen, and photographed, the cracked wall - and had time to look closely at it while cropping my original image? (People sometimes ask, "What do you DO with all those photos?" - well, they seem to come in handy for delightful surprises...)
In any case, the "translation" of the cracks and the areas they define, into a surface of applied sections, makes me think about how these found-art photos could be a basis for further work.
No comments:
Post a Comment