I was taken to walk along the Yarra at Kew, the subject of this print --Recently Tate Modern showed a roomful of paintings and prints in the "Sign and Texture" exhibition. It included Riverbed from 1981, one of the last paintings he made --What I didn't know until looking carefully through the Tate website, from which these images are respectfully plundered, is that his studio (in Upwey, in the Dandenongs outside Melbourne) was in a valley, so he raised the horizon in his compositions, leaving a narrow band of sky at the top -- as in Upwey Landscape 1964-5 --
You can see his distinctive style - he reduces the landscape to an all-over pattern, with small touches of paint to show trees and shrubs. "Rather than painting the landscape realistically, Williams was more concerned with exploring and creating a visual language through which he could express the character or essence of a particular Australian location in an inventive manner" says this resource.
Finally, Burnt Landscape 1970 - one of his Bush Fire paintings --
Ironically, this painting is one of the few that survived a fire at the warehouse where Williams stored his works.
You can see his distinctive style - he reduces the landscape to an all-over pattern, with small touches of paint to show trees and shrubs. "Rather than painting the landscape realistically, Williams was more concerned with exploring and creating a visual language through which he could express the character or essence of a particular Australian location in an inventive manner" says this resource.
Finally, Burnt Landscape 1970 - one of his Bush Fire paintings --
Ironically, this painting is one of the few that survived a fire at the warehouse where Williams stored his works.
1 comment:
Thank you for sharing that. I hadn't heard of this artist, but really enjoyed looking at the images. The Australian landscape is very special and he's captured it's feeling well. I particularly liked the last one of the fire.
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