Away day, Birmingham

Time for a quick walk before the meeting - my last meeting on the CQ committee, as I've come to the end of the three-year term.

Facade of New Street station - very reflective

Something a bit older...

On a back street

The meeting was held in John Lewis cafe and finished earlier than expected

Time for more wandering ... the sunshine was glorious -

Shadows from windows in a church

Reflections on a building in a (de)construction zone

 I wanted to see the new library - and was delighted to see so many people using it, either sitting with computers or actual books, or wandering up the escalators and travelator in the vast central space -

 And the lighting did wonders for the "dusty tomes" -

 The glass elevator starts outside the Archives and goes ... where? -

 There's a roof terrace, midway -

I didn't look carefully in every corner The "standing stone" gives a taster of one of my favourite subjects -

 I found a book about prints, translated from Czech and published in 1970 (mellow colours on slightly greenish paper) - which mentioned some "minor" artists I'd vaguely heard of, and many I hadn't - they all seemed to have been born in the 1890s or 1900s, perhaps Robert Motherwell was the youngest. Two women were included, both wives of artists: Anna Eva Bergman was one; alas, I omitted to write down the name of the other...

New to me, and possible inspiration for a woodblock - Heinz Trokes (1913-1997)

And the name Capogrossi rang a bell - good to be reminded, again in terms of woodblock possibilities.

A crowded train, and a lovely sunset -

Feminist textiles and embroidered hankies

The Cut Cloth exhibition, and its associated events, were what spurred my recent trip to Manchester. I got there on the last day of the exhibition, which was held in the amazing Portico Library, with its delightful "original features" dating back 200 years - the library was opened in 1806. The central exhibition space , which also functions as a cafe - is a modern intervention -

The "Polite Literature" category would include the literature that was read in the Polite Society of the Georgian era, the sort of literature deemed sufficiently suitable for a wife or servant. But these shelves also hold some risque novels and a few books on witchcraft and philosophical and theological arguments. (Read more about it here.)

We had a simple lunch on tablecloths rumoured to be by Alice Kettle (and indeed she and ceramicist Stephen Dixon are leaders of the Crafts Research Group, year-long artists in residence) -

In the vitrines, historic documents - The Subversive Stitch by Roszika Parker was published in 1984, and the Art Textiles exhibition, curated by Jennifer Harris  was held at the Whitworth in 2015

Textile art and contemporary feminism
(click on the image to enlarge,  for reading the text)

 A few of my favourite pieces -

 In one vitrine, historical textile production in Manchester, which in 1853 had over 100 cotton mills and until early this century produced "wax cloth" for export to Ghana, and also Shweshwe indigo fabric, "German print", which was exported to South Africa -

Some days later, "the hanky workshop", led by Sarah Corbett of the Craftivist Collective. She supplied a kit with hanky, thread, needle, instructions, a lovely woven label ... and there are other stitching-for-action kits on the Craftivist website -

Sarah's Little Book of Craftivism contains thoughtful, do-able projects that bring the political a bit closer to the personal -

I was also taken by the follow-the-dots stitching cards - Stitchable Changemakers. 

And being an embroiderer, I not only had to turn it over to see the back, but photograph it -

 Here we are, stitching away in the Portico Library - changing the world one stitch at a time!

The hanky, explained Sarah, is a way of gently confronting and connecting to "a powerholder" - onto which can be stitched not only your concerns about their actions and policies, but also encouragement for doing a better job in future ... with the added dimension that you'll be thinking about these topics and issues as you stitch. To me, that is much more sane than yelling angry slogans. But to whom, about what, would I write or give such an object?  When we said a few words about ourselves at the start of the workshop, I said I'd come because this was an area that I'd not been involved with yet in my life. And indeed, I felt very much out of my depth and hadn't thought who for, or about what, such a handkerchief missive might be.

At the end of the session I hadn't got very far ... and Sarah gave us an "extra length of encouragement" to take away - "little by little, we travel far"

Little by little I sorted out what to say, how to say it, and to whom. While I educate myself about "issues" that I might want to try to change, I'll focus on what I know: "the personal is political". Family politics; who holds what powers? So, first, the nearest and dearest ... what could I say to my son? His birthday was only a week away, so the text urgently needed writing, no time for dithering. It got done. The words had to be fitted into the space available, and the writing had to be a good size. That got sorted, and then I traced it onto the cloth with a black biro. 

After that bit of agony came the joy of stitching - with two strands of anchor cotton, or rather one strand doubled over through the needle, so the needle wouldn't get lost during stitching on public transport (the sturdy, reclosable envelope of the kit was very useful for carrying it around) -

 Finished -

 And the back .....

Surprises in a library

One of the surprising things about the John Rylands Library - which is part of the University of Manchester Library - is the automaton, which shows a dragon [the university administration??] taking tea with the widowed Mrs Rylands, who used a tenth of her considerable inheritance to build the library. 

 Back and forth they go, to the gentle sound of gears creaking, having a comfortable chat, until suddenly there's a great CLANK and -

 ... then we're back to normal.

Amid the displays, including a photo op with big books and old-fashioned hats

you can take mirrors to look at the ceiling in comfort -

 and admire Victorian ornateness in all sorts of forms (the library opened to the public in 1900) -

 There are a good few books dotted about, too -

But the main delight has got to be the Historic Toilets -

Historic walls

Historic plumbing and accessories

Historic pipework

Historic lighting casting historic shadows

 Elsewhere the library atmosphere is augmented by old printing presses filling a few corners -

 Great place to visit

 Updated with a new wing

The current exhibition, The Life of Objects, (till 27 August) includes samplers made as a child by Isabella Banks (1821-1897), who went on to publish sewing and knitting patterns every month for more than 45 years - in a design periodical that she created and published (something not yet mentioned in her Wikipedia entry); also aged 17, she had set up a school for young ladies which she ran for nine years, until her marriage.

Other surprising objects from the library's collection are Elizabeth Gaskell's sewing and writing tools, John Wesley's preaching collar, items connected with WW2 air raids that inspired Delia Derbyshire's Dr Who theme music, and a button pen nibs, and the hat lining that belonged to Walt Whitman (the link with Manchester is described here). And an Olivetti portable typewriter, just like the one that came with us to the UK in 1971 and on which I earned good money by typing theses - ah those were the days (tippex, carbon paper...).