
I found it while looking to find work by Michele Walker on the web. A pioneer of art quilts, her "Complete Book of Quiltmaking" (1986) is out of print but highly regarded, and I've been inspired by another book of hers, "The Passionate Quilter" (1990). See her piece Assault and Battery (2003) here and this site has a photo of Makers Unknown, which was in her 2005 exhibition, Memory Sticks. The poles, wrapped in fabric reclaimed from clothing, are the height of a person; the "hair" is tied on by fabric representing the sweatbands still used by workers.

Another piece is based on a cave, Sai no Kawara, visited by parents who had lost children - such caves are thought to represent places where the souls of dead babies and children reside. Outside the cave are hundreds of small statues of the guardian deity of children. Thinking about how to convey her experience, Michele says she started noticing babies' legs and feet sticking out from baby carriers - "the only clue to what was underneath". The piece No Cry consists of characterless, baby-like bundles of cloth, strapped to short poles, with character-full dangling legs and feet.
Looking for more links about Michele's work to add, I found this symposium on 9 November about Japanese craft traditions, and an associated exhibiton, "Craftsmen in the Jail of Beauty", at Gallery 47, 47 Great Russell Street (near the British Museum), 7-10 November.
3 comments:
Can't see where to email you....I posted the link to my Coloured Trash piece on my blog......it will take you to my website.
YES, I also wish Artnews had an archive of Featured Artists.
THANKS for stopping by!!!
It never fails to amaze me that the word craft has such different connotations when used in conjunction with work in England - homespun, domestic, of lower value than art and in Japan - "crafted" with skill and consumate care, highly valued and of high standard.
Where have we gone wrong?
I have so enjoyed reading your blog - but it is late - so I shall bookmark it and return.
Regards
Karen
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