A chance to draw the piece I'd wanted to do - as "something completely different" after my finicky literalness
last time -
It's from Vanuatu and includes sea urchins, lobsters, and a bird, as well as mythological figures. I hope this closeup gives and idea of the barkcloth quality, marks, and painting -
My plan of attack was light lines to position the elements, then splodges of colour added with a waterbrush and soluble Stabilo crayon, and finally the outlines in marker pen -
Going over it three times meant I got to know it well!
And for good measure, here's a version I traced on the ipad -
Truer to the original perhaps, but not to the spirit of the thing.
With half an hour left, I turned to a piece representing a journey, from the
Solomon Islands, early 1900s, a long tapering piece with a long thin line -
It's pale and rushed, but was interesting to see the buildup of the bands of patterning, some of which represented frigate birds, and bush tracks through the hills to an island refuge. The large figures are bonito fish.
And the rest - everyone was prolific! Apologies for the faintness of some of the images, my little camera just isn't up to it.
Janet K's headdress and strikingly bold patterining -
Mags' spirit masks (she's posted in detail on
her blog) -
Janet B's bark cloth clothing -
Sue had a field day with patterns -
Jo drew in the Japanese Gallery nearby -
Cathy went for the spirit maks too -
Pictures of the pieces in this exhibition abound - google "bark cloth british museum" or just click
here.
The exhibition is open till 6 December - access is via the Japan Gallery, 5th floor, north staircase.
No comments:
Post a Comment