Very few people there, but worth making the trip. When the sluices were (gradually) reopened, the wind whipped the rushing water into a froth. Seagulls abundant, and more birds on the mudflats as the tide came in.
This being, or having been, the industrial docklands, there are a few mills still existing among highrise "subtopia" -
Tate & Lyle sugar refining, still working |
The "palatial" Millennium (flour) Mills, built 1905, partially destroyed in the 1917 Silvertown explosion, rebuilt in Art Deco style in 1933, rebuilt after WW2, and currently under redevelopment |
Just time to get to Stratford for a little shoe shopping -
Old Faithfuls - and new upstarts |
Monday - a talk at the Royal Institution by Priyamvada Natarajan, about changing theories of the heavens, the stars, and all that - and how science comes to change its mind about theories. It seems a theory, especially if posited by a "quirky character", can be quiescent for 30-40 years, during which time independent lines of evidence can accrue, and then the theory is "rediscovered" and gains momentum.
Tuesday, after drawing at the V&A I happened across photos by Frank Hurley of the Antarctic expedition, at the Royal Geographical Society -
and walked across the park to Bond Street, where the Fine Art Society had various exhibitions on every floor of its building ... including this view from the very top -
Wednesday, just as I left the house a few raindrops fell and by the time I got to the park they were coming down thick and fast - but didn't last long
so it was a pleasant walk past the new apartments to historic Stoke Newington for a quick wander in Abney Park cemetery
and a longer stop for coffee till it was time to walk through Clissold Park on the way home. These plane trees were imposing
and I still haven't found out what this might be - metasequoia? mimosa?
Thursday - a bit of shopping in Chelsea and a walk along the river to Tate Britain, past the back end of Victoria Station and a "gridded" view of spare trains -
At Tate B we saw the Rachel Whiteread show (till 21 January 2018), which included "100 Chairs" in the central gallery -
I would gladly have taken home this humble, unfolded cardboard box with its silver foiling and "true blue heart" -
That evening, a talk at British Library on the Tree Charter, which gave common rights in the king's forest, and a new charter 800 years later, which seeks of save ancient woodlands -
Friday evening I had double-booked myself again and chose the screening at LRB bookshop of Siobhan Davies and David Hinton's film All this can happen (trailer here). It's based on a novel published in 1917 by Robert Walser and the sotry is blended with images from films of the time, choreographed on a screen split into multiple parts, objective and subjective at the same time. "When has walking ever been interesting in a film? Here, definitely. A combination of formal ideas and emotional ideas, enhanced by the sound design - the silent films left a clean slate for the sound.But the main effort was finding "absolutely the right image" to be a genuine partner to the text.
Throughout the week, a bit of gardening - the dormant seeds are quick to sprout -
and from behind the window boxes it looks like this now; the area near the house is still under excavation, sifting, and soil replacement -
Tuesday, after drawing at the V&A I happened across photos by Frank Hurley of the Antarctic expedition, at the Royal Geographical Society -
and walked across the park to Bond Street, where the Fine Art Society had various exhibitions on every floor of its building ... including this view from the very top -
Wednesday, just as I left the house a few raindrops fell and by the time I got to the park they were coming down thick and fast - but didn't last long
so it was a pleasant walk past the new apartments to historic Stoke Newington for a quick wander in Abney Park cemetery
and a longer stop for coffee till it was time to walk through Clissold Park on the way home. These plane trees were imposing
and I still haven't found out what this might be - metasequoia? mimosa?
Thursday - a bit of shopping in Chelsea and a walk along the river to Tate Britain, past the back end of Victoria Station and a "gridded" view of spare trains -
At Tate B we saw the Rachel Whiteread show (till 21 January 2018), which included "100 Chairs" in the central gallery -
I would gladly have taken home this humble, unfolded cardboard box with its silver foiling and "true blue heart" -
That evening, a talk at British Library on the Tree Charter, which gave common rights in the king's forest, and a new charter 800 years later, which seeks of save ancient woodlands -
Friday evening I had double-booked myself again and chose the screening at LRB bookshop of Siobhan Davies and David Hinton's film All this can happen (trailer here). It's based on a novel published in 1917 by Robert Walser and the sotry is blended with images from films of the time, choreographed on a screen split into multiple parts, objective and subjective at the same time. "When has walking ever been interesting in a film? Here, definitely. A combination of formal ideas and emotional ideas, enhanced by the sound design - the silent films left a clean slate for the sound.But the main effort was finding "absolutely the right image" to be a genuine partner to the text.
and from behind the window boxes it looks like this now; the area near the house is still under excavation, sifting, and soil replacement -
The camera found some hazard-tape compositions in the Underground -
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