Since the sudden clearing of the table by the window I've been enjoying sitting there first thing in the morning, sometimes to get on with a bit of woodcut
... and sometimes to sit and think and plan -
... and sometimes just to focus on the marks on the table (once a door), perchance to photograph them -
This week I've sewn not just one pot -
but several -
Four small ones in a row, their documentation stowed within -
... and the fifth, ambitiously large, with some double-sided, woodblock-printed "envelopes", a project that has almost reached its end -
A "bit of a cleanup" was thwarted by finding this old bit of calligraphy, from the early 2000s if not before -
In sum: the window-table is usable, the workbench is still piled high, a few pots are ready to dip ... but when will I get to the studio? All next week is spoken for, by the summer school at The Drawing Room, and the joys (horrors?) of getting there by tube in 30-degree temperatures.
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