On closing the sketchbook and looking around I noticed a man in a white shirt in the preparation area -
Yes, it was He, The Artist. It was amusing to see that a pair of women who happened to be passing also recognised Him - they were exchanging quiet smiles (we British are a restrained lot).
Some of the props in the preparation area reminded me a lot of the shadows in the 2016 performance in Rome, Triumphs and Laments (now a permanent mural), and the back of the Tate's turbine hall was blacked out for "a rehearsal", so I went to see what that might be about. There was a decent view from the mezzanine ...
Kentridge is very hands on -
The boxes open up into rooms, and an entire band occupies one of them at some point, if the snippet of the rehearsal that I saw was anything to go by.
Many languages are used in the production, with subtitles projected -
And yes, there are moving shadows -
It's a very ambitious work, and rehearsal time was short, according to this article, where you can also see a short video shot during rehearsal in New York (or catch on youtube).
The performance was 11-15 July; tickets were sold out for quite some time, and also for the talk he gave.
A second exciting event on the day was the RAF flypast of 100 planes - we got a front row seat at the riverside -
But back to the drawing..........
Janet B loves radios -
Najlaa enjoyed Robert Indiana's sculptures -
Joyce got involved in a textile piece -
... but didn't have red in her toolkit...
photographic rendition |
and also at a Tony Cragg sculpture -
(here's the real thing, or rather a photo of it) -
Janet K engaged with Miro's Tightrope Walker -
I was drawn to the "trumpets" and to the perspectival possibilities of the chair -
Mags arrived late and hadn't settled to drawing (that rehearsal was a distraction!) but showed us some of the book in which she makes observations of exhibitions she's seen -
Homework - "draw some stairs" -
Judith |
Janet K |
- "rub a leaf" .
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