But I digress. For Elements, thinking along the line of seeing shades of grey (via the rods in the eye) and seeing colour (via the cones), I've been looking closely at Polke's "dotty" paintings, especially the one above and these sort of effects -
He started (in the 1950s) by painting the dots by hand, then moved on to using screens. I too started painting by hand - actually, drawing dots in a grid first, so they wouldn't go all over the place - on both sheer fabric and something more substantial -
The grids were laid at slightly different angles -
This is what happens when the fabrics are layered -
Benday dots can be a range of sizes, depending on the tonal effect needed - which can get very complicated if you don't start with a particular image but are approaching it from the technical end.The switch to using evenly-spaced,coloured dots is a simplification that appeals to me. It was inspired by seeing this sort of thing -
A suitable tonal image might come along; I'm on the lookout for one. But first, there's more to be discovered through experiments with painted grids ... or maybe even screenprint.
And with the purchase yesterday at a local fabric shop of some black/white check fabric ... and coincidentally seeing this quilt in my internet browsing -
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