We spent the morning looking at everyone's work. For me, it was "I know what I think when I hear myself speak" and also "oh, I should have said...". Describing how they came to be, and showing the book with the pix from the magazine (which seemed to be of interest).
![]() |
I'd hoped to used the book from the Schnutzgen-Museum (medieval art; Cologne)as a source the day before |
What I didn't say was that I don't feel "comfortable" drawing - it's a challenge each time, starting with choosing a subject, deciding on the medium, getting started, keeping going.... This is one of the realisations that hit me during the walk round the room. Another was the tension between being rigid - sticking to what you set out to do - and pushing yourself...to do what, though? respond to the work? do it "better"? change how you work?
After experimenting with sharpies and tracing paper and getting nowhere (just annoyed!) I put a big sheet of paper up on the wall and started transcribing images from the Schnutzgen-Museum book, working dark -
The previous drawings didn't photocopy well at all: too light, too wispy...
A big room with lots of wall space, and everyone in their own drawn world, or else in conversation -
Yesterday most people were working in paint, and I finally got around to that in the last 15 minutes of the day -
The hasty addition of tracings and map/book maquette made me feel I'd at least been working on, or towards, something.
A glass of wine was on offer - from the bad start to the day (delay on tube after not having time for proper breakfast), this was 1000% improvement! And the white was my favourite, viognier...
![]() |
The view ... much construction in the area |
I had read about the image before seeing it ... the book opened to this text ...
No comments:
Post a Comment