That said, these caught my eye -
Enigma II by Hilary Ellis "The use of thread as a medium contributes to the individuality of the marks, bringing another dimension to the repetitive process," she says. |
Untitled (for Ian Welsh) by Alex Chalmers |
Zoe Maslen, "The Absents Presence, Hair Drawing" Pencil, 250 x 150 cm |
Charcoal drawings beguile with the qualities of the medium |
Hugh Gillan, "Heap" (with detail) Charcoal pencil on gesso, sanded and erased and built up again - | "this continual process slowly eroded the fragile gesso ground, | echoing the ruined environment" |
There are no owls #1 by Gary Edwards with a layer of reflections |
detail of the gouged surface "What concerns me is the patina, building up layers of graphite, working and reworking, adding and taking away, creating histories of mark making" says the artist |
Download the catalogue here. Page 28 shows Hannah Downing's magnificent oak tree, which gleamed and glistened when you looked up into the graphite rendering of its branches.
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