Colour mixing 4

Work on the painted dictionary continues (making language colourful?).

 insecure-insist to jump-jury 651-685
ultramarine, red oxide, titanium white, mixing white, naples yellow,
yellow light hansa, magenta, cobalt blue

 humanity-humph to innards-inosculate 611-649
light blue violet, bronze, titanium white, payne's grey, hooker's green, french ultramarine

 head-health to housel-Hubble('s) constant 577-609
ultramarine blue (red shade), cadmium yellow, titanium white,
payne's grey, mixing white, light blue violet

gold-gonad to haunch-hawk 539-575
cadmium red medium hue, cadmium yellow medium hue, titanium white,
payne's grey, ultramarine

fuero-full to go-god 505-537
emerald, prism violet, titanium white, payne's grey, cadmium red,
cadmium yellow, mixing white

facet-fade to frontier-frugal 451-503
magenta, yellow light hansa, payne's grey, titanium white, mixing white, emerald, violet

 emblem-embroil to eyelet-eyrie 407-449
naples yellow, emerald, titanium white, mixing white, crimson,
payne's grey, yellow light hansa

Page edges, recording the sequence of each session -

401-449

451-503

505-537

539-575

577-609

611-649

651-685

Which is my favourite? I really couldn't say, and there are better questions to ask: the mixed colours in each session are linked, but would you use all of them in one painting ... and if so, in what proportion? Would you add any other colour, either as a background, or for an accent? Would you also mix up intermediate hues, or further tints and shades?