In the stump of the old tree, where the heart has rotted out, there is a hole the length of a man’s arm, and a dank pool at the bottom of it where the rain gathers, and the old leaves turn into lacy skeletons. But do not put your hand down to see, because
in the stumps of old trees, where the hearts have rotted out, there are holes the length of a man’s arm, and dank pools at the bottom where the rain gathers and old leaves turn to lace, and the beak of a dead bird gapes like a trap. But do not put your hand down to see, because in the stumps of old trees with rotten hearts, where the rain gathers and the laced leaves and the dead bird like a trap, there are holes the length of a man’s arm, and in every crevice of the rotten wood grow weasel’s eyes like molluscs, their lids open and shut with the tide. But do not put your hand down to see, because in the stumps of old trees where the rain gathers and the trapped leaves and the beak and the laced weasel’s eyes, there are holes the length of a man’s arm, and at the bottom a sodden bible written in the language of rooks. But do not put your hand down to see, because in the stumps of old trees where the hearts have rotted out there are holes the length of a man’s arm where the weasels are trapped and the letters of the rook language are laced on the sodden leaves, and at the bottom there is a man’s arm. But do not put your hand down to see, because in the stumps of old trees where the hearts have rotted out there are deep holes and dank pools where the rain gathers, and if you ever put your hand down to see, you can wipe it in the sharp grass till it bleeds, but you’ll never want to eat with it again.
Contemporary Poetry and Prose, 7 (Nov. 1936), 129.
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This poem - or rather, the first three verses - was read on "The Surreal Verb", an episode of BBC Radio 3's "cabaret of the word", which was broadcast in December and can be heard here. As one of the participants said later in the programme, it has a very different effect when you hear it than when you read it - as heard, it paints a vivid picture (read, it's merely word after word). There's a reading on youtube but I think it's rather spoiled by the music.
A potted biography of Hugh Sykes Davies (1909-1984) (from here): "He had done so many things and played so many parts that you never felt you had come to the end of him. Some knew Hugh Sykes Davies as a wit, some as a lover, some as a teacher; and there were those who read his novels and even his poems. He also married a good deal. He had many wives, four of them his own; taught at Cambridge for nearly half a century — a communist for half the time; was a surrealist in the Paris of the mid-1930s; and finally, as faith and dogma ran dry, a structural linguist. He was once to have been a candidate for the House of Commons too, in 1940, in an election canceled because of invasion fears ... near the end of his life he was persuaded by Canadian television to make a program; and he did it on the symbolic condition they supplied a bottle of brandy in a Cambridge UK pub during the interview. That put him in a high good humor. As he walked home late he came upon a lonely policeman standing outside King’s College and approached him unsteadily. ‘Have there been any interesting fires in the colleges this evening, constable?’"
The stump in the image is in Ayrshire, but there's likely to be a similar one near you....
1 comment:
Cool poem! I like the cyclical and building nature of the imagery. Thanks for sharing it.
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