Out of the many photos added to my "camera notebook", these are thinking-points for drawing. Unfortunately I didn't always photograph or record the artist's name, nor do I have the energy to add all the links.
 |
| Embossing, watercolour?, ink - Ben Nicholson |
 |
| Wood drawing by Chris Kenny |
 |
Jessie Brennan, A Fall of Ordinariness and Light, 2014
(even the first one shows crumpling)
|
 |
| New ways of displaying drawings |
 |
| Charcoal landscape by Dorothy Mead (1928-1975), 1967 |
 |
| It's done by tone alone |
 |
| Large, leafy tree by Sue Ashworth... |
 |
| ... in watercolour. |
 |
| Parquet floor drawing (laser cut) by Rachel Whiteread |
 |
| Layered textile and paper by Fabrice Cazenave... |
 |
| ...close up, without reflections |
 |
| Writing as drawing [artist's name not recorded] |
 |
| ... lots of tiny writing! |
 |
| Fiona Watson, prints |
 |
| Interior space (Mark Entwisle) |
 |
| No idea who the artist is - I liked the rhythm in these pieces |
 |
| William Scott drawing - the simplicity and rhythmic composition of his paintings interests me |
 |
| Hidden pins used to make telling shadows (closeup of small elements in small section of a large piece) |
2 comments:
Do they ever encourage drawings to have organic edges rather than the rectangular paper? I see some of your inspiration photos are more ingenious in display.
Sandy
What fabulous work, especially the textile pieces!
Post a Comment