Starch resist samples - we rubbed in acrylic paint after the starch had dried |
Little flower pictures (to be used for greetings cards?) |
Screen printed, using flowers from the window-box as resist |
A good project on car journeys, the stitching anyway - the colour is acrylic paint, diluted to permeate or used drier on the exposed surface |
The wax is still in this batik, made in a workshop with Carole Waller, and I later started adding stitching for overdying shibori-style |
Exuberant - but off kilter! This started as different ways of attaching 3D objects (coins and shells, especially) |
Painted satiny and cotton fabric, circa 1994 |
More of the same, with some print from a workshop with Liz Nillson round about the same time |
Hexagons printed onto turban cotton with erasers, 2008 (half a hexagon fits on a rectangular block). This led to some 12" square quilts (here and here) |
Some of the fabric made in Bob Adams' "Disgraceful Discharge" workshop, 2008 (see him talk about his exhibition at FOQ that year here) |
but really what I'd like to do with those discharged fabrics is to hand stitch on them ... somehow...
Something to mull over, think about, keep eyes (and mind) open for, and return to.
1 comment:
Below one image you wrote -Starch resist samples - we rubbed in acrylic paint after the starch had dried.----
Did you paint on the starch with a brush and what do you mean by rubbed in the acrylic paint. Were you using fingers or a sponge or what.
I love the samples you did.
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